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Darin Strauss Quotes - IQDb - Internet Quotes Database

Quotes from Darin Strauss


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I have twin six-year-old boys. Have no mojo. The closest thing to a mojo I have is five minutes of peace.


You get a bad review with a novel, and it hurts. But I imagine if you get a bad review with a memoir, it hurts more because you can always say, 'Well, they didn't like my characters,' but when you're the character, it's like, 'Oh, yeah, they actually didn't like me.'


My knowledge of trains - and love before first sight, love at negative-one sight - comes from Alfred Hitchcock.


My first book is about twins who are attached: two people who are joined and can't escape each other.


Like all writing rules, the injunction to start with the trouble can be broken, and it should be sometimes - if there's good reason.


It's good training for a novelist to try to discern the truth about a place after only a few glimpses of it.


If the memoirist is borrowing narrative techniques from fiction, shouldn't the novelist borrow a few tricks from successful non-fiction?


I've had menial jobs, and 'professional writer' isn't one of them.


I'm very strict in my belief that non-fiction should be truthful, and fiction is for invented narratives.


I'm really wary of self-help books.


I suppose that, for most of us, the fascination of conjoined twins is that such people can serve as symbols.


For the fiction students I teach, one of the most common mistakes is to start in the wrong place. Often the actual story doesn't begin until about a third of the way into their narratives. They start off instead with excessive scene-setting, metaphysical speculation, introducing nonessential dramatis personae, throat-clearing, etc.


I guess when you write a personal story, people feel compelled to share their own stories.


Faith is a private issue. At least, I consider it to be one.


Even the best novels have their share of stinker lines.


Characters stretching their legs in some calm haven generally don't make for interesting protagonists.


All writers have their own pet commandments.


A subplot is a distinguishing characteristic of the novel; the short story, for example, does not need subplots.


The main thing is to think strategically about what will engage your readers. Trust me when I tell you that few people are eager to read a story whose opening lines sound like a dissertation on giant bugs.


I'm no fan of jam bands. You can take your Gov't Mule, your Phish, your Rusted Root. But Derek Trucks is a special musician - perhaps the greatest slide guitarist who ever lived.