Quotes from Norman Granz


Sorted by Popularity


The record companies are interested in the kind of sales they can get from the rock groups.


I made it easier for many artists to play in certain areas.


I still continue to do at least four concert tours a year, and in many cases, as many as six.


I'm concerned with trend. I don't know where jazz fans will come from 20 years from now.


If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good.


In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland.


Jazz was uplifted by what I did.


My function at Verve was that of a genuine producer in artists and repertoire.


The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.


I find myself more at peace when I live in Europe.


When I was doing jazz concerts in America, I would use the biggest names I could find.


You will always find a few people in any area that would like things done completely their way.


Amsterdam must have more than a million people. But the only area where jazz is really profitable and successful in an economic sense is in Japan. That's because they haven't been exposed enough.


Germany is probably the richest country in Western Europe. Yet they wouldn't take any television with Duke and Ella, their reaction being that people weren't interested in it.


The economic picture in the States today doesn't allow for jazz concerts in a tour fashion. People now are too used to the Festival, which gives them more names for the same price.


There are many artists that I present that I admit I like less than I do others. But I think that they warrant being presented by my own, personal standards.


There are very few groups that really stay together. The leaders of groups make enough money to be able to afford to work a maximum of 35-40 weeks a year.


I'm talking as a professional impresario. I'm not judging anybody at all.


I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan.


I don't think that jazz, as any kind of an art form, has any permanence attached to it, apart from the practitioners of it.