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Diane Paulus Quotes - IQDb - Internet Quotes Database

Quotes from Diane Paulus


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My generation of director has no illusions that we are going to be fed and cared for by subsidized theater in America.


The musical theater is a glorious and distinctly American innovation in the history of theater.


When you're a freelance director, you are hired to create the art, and it kind of stops there.


I think actually what keeps the intensity manageable - it's a little counterintuitive - is that it's changing all the time. Every week is different for me.


Politics, to a degree, is about legislation, administration. You can't be there in the trenches.


I am always looking for what piece, what artists, what playwrights, what directors, what subject matter is going to catalyze an audience.


I give so much of myself to my work; I want to be with people who are going to be there with me.


I want an audience that will come sitting forward in their seats.


I've gotten to the point that I don't even know what tomorrow brings. When I'm teaching, obviously I'm in town for the class every week.


I'm sorry, but to ask an audience these days to invest three hours in a show requires your heroine be an understandable and fully rounded character.


The mission of the A.R.T. is to expand the boundaries of theater through works of the canon and the new works of tomorrow.


Theatre and opera were always the twin kingdoms that I felt I had to conquer, because they were my parents' favorites.


At the core of what I'm doing is a belief in the audience, a belief that populism doesn't mean dumbing down theater, but rather giving the audience a voice and a role in experiencing theater.


I had to drop a boulder to wake people up about the A.R.T. We've done that, and now we have audiences again who want cutting-edge work, who want to be challenged, but who also won't be falling asleep at the theater.


I knew ART was was going to give me this opportunity to expand my role as a director and finally let me have a seat at the table where I could get involved in these policy discussions and producing discussions and, frankly, the financial discussions.


I really challenge every actor at the beginning of a process, and I always say, 'I have an idea that I'm going to bring to the table. I hope and expect that you will have an idea and bring it to the table. But the way I really want to work is that together we're going to have a third idea that is better than either of our ideas.'


I think every theater in America wants a younger audience... and you can't just hope to have a younger audience, you have to program things that audience is going to connect with.


I think in our culture there's been a tendency for people to blame the audience. There is a tendency in our industry to say, 'The audience has left the building. People don't want culture anymore.'


It's freeing to not be caught up in your own personal baggage.


I'm always interested in working with people who are good team players - that are selfless that way in their interests and dedication to the project.