Quotes from Duane Michals


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Art has to address eternal issues.


Most photographs, to me, are description, but they lack insight.


I've done a lot of commercial work. I'm the complete photographer.


I'm very hard on the art world just being a big business.


I already know what things look like - I don't want description. People believe in appearances, and I don't believe in appearances at all.


There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.


I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.


The only thing I know anything about are my own fantasies and anxieties. I don't trust my eyes. I consider myself to be a short-story writer.


The majority of photographers focus on the obvious. They believe and accept what their eyes tell them, and yet eyes know nothing.


I'm a terrible punster. And I love to rhyme. I just can't help myself.


You can't see fear or lust; you can't photograph someone's anxieties, how disappointment feels. Photographs are approximations.


To fulfil a fantasy is the quickest way to destroy it.


In the West, people tend to look at life as spectators, but in the East, people are the thing.


To photograph reality is to photograph nothing.


All good children's books, I think, address metaphysical issues in some kind of way.


A lot of photographers walk around looking for something 'out there,' but I'm very much interested in what's 'in here.'


Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.


Photography is very presumptuous. Photographers are always photographing other people's lives - something they know nothing about - and drawing great inferences into it.


I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.


My work is about my life as an event, and I find myself to be very temporal, transient.