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Richard Russo Quotes - IQDb - Internet Quotes Database

Quotes from Richard Russo


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I've never written nearly as much about place as people seem to think I do. I just write about class.


You just kind of have faith. If that sounds kind of mystical, it's because I really don't know how it works, but I trust that it does. I try to write the way I read, in order to find out what happens next.


When I look back over my novels what I find is that when I think I'm finished with a theme, I'm generally not. And usually themes will recur from novel to novel in odd, new guises.


Some authors have a very hard time understanding that in order to be faithful to the spirit of the book, it's almost always impossible to remain faithful to the text. You have to make changes.


What does it feel like to be a parent? What does it feel like to be a child? And that's what stories do. They bring you there. They offer a dramatic explanation, which is always different from an expository explanation.


What comes easiest for me is dialogue. Sometimes when my characters are speaking to me, I have to slow them down so that I'm not simply taking dictation.


Truth be told, I'm not an easy man. I can be an entertaining one, though it's been my experience that most people don't want to be entertained. They want to be comforted.


When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again.


If you work at comedy too laboriously, you can kill what's funny in the joke.


If there's an enduring theme in my work, it's probably the effects of class on American life.


It's no secret that in my books I'm trying to make the comic and the serious rub up against each other just as closely and uncomfortably as I can.


I'm delighted by how Nobody's Fool turned out. It was a rare movie.


I think it would be harder for me not to write comedy because the comic view of things is the one that comes most naturally to me.


I read pretty voraciously. If it's good, I don't care what it is.


I get and read an enormous number of first novels.


I don't think America has ever had a center the way London is the center of England or Dublin is the center of Ireland.


I can be glib and truthful all at once.


A short story is something that I think can be intuited and envisioned and held in your mind almost at once.


You can be interested in a Jane Smiley novel whether or not anyone says a word. She enters into her characters' thoughts with great understanding and depth.


When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.