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Ken Burns Quotes - IQDb - Internet Quotes Database

Quotes from Ken Burns


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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.


By its very nature, no one person can ever be the center of jazz.


Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.


History's just been made for sale to an inside deal.


I enjoy total creative control right now. Nobody tells me to make it longer, shorter, better, sexier, more violent, whatever.


Jazz is a very accurate, curiously accurate accompaniment to 20th century America.


The way I work, the interview never becomes larger than the person being interviewed.


We're having a hard time understanding where jazz is going. What happened to jazz?


I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.


I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.


A jazz beat is a dynamic changing rhythm.


I grew up certain for a while that I was going to be an anthropologist, until film turned my head.


One of the things I really like about Ford's films is how there is always a focus on the way characters live, and not just the male heroes.


The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the last 25 years of jazz and still not do it justice.


You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time.


I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on.


To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.


When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.


Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say.


You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood.