When I give myself over to a good novel, I surrender to the truths fashioned from one writer's heart, mind and soul. I do not waste a nanosecond wondering whether what I'm reading 'really happened.'
There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
I'm not a believer that you have to write every day. If I felt industrious, I'd spend ten hours a week writing. The writing is going on all the time in my head; the trick is to capture it. Showers are great. Traffic jams are great.
My readers often tell me that what they admire about my books is my ability to write from so many points of view. My challenge to myself is whether I'll ever be able to write a novel just from one point of view. It seems impossible.
In my head, at least, the business of spinning stories has no closing time. Twists in my characters' lives, glimpses of their secrets, obstacles to their dreams... all arrive unbidden when I'm getting cash at the ATM, walking my son to camp, singing a hymn at a wedding.
In every novel, I write about something - a place, an experience, an emotion - with which I'm intimately familiar, but it's also crucial to me that I take on challenges. If write only inside my comfort zone, I'll suffocate.
Over time, it's occurred to me that my protagonists all originate in some aspect of myself that I find myself questioning or feeling uncomfortable about.
I do gravitate toward 19th century writers, and I never mind being compared with some of the most memorable writers from that era. I mean, George Eliot is my absolute heroine.
I don't see how you can write well if you're not reading well at the same time. I think the only risk is reading too many books of one 'type' in a row.
The books I read, if they intrude on my writing, do so as weather will pass through and touch a landscape - affecting it, yes, but only now and then leaving a permanent mark.