Quotes from Douglas Sirk


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And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world.


Yes, I was hired by Universal because they needed a comedy director. They had seen Scandal and liked it. I saw an opportunity even in those comedies to begin my project of American films.


There arose a belief in style - and in banality. Banality encompassed politics, too, because it was a common belief that politics were not worthy of art.


Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.


Intellectualism came very late to America. That's why Americans are so proud of it. I found very few real intellectuals in America. But there are so many pseudo-intellectuals.


For a house, somewhere near Los Angeles I found an old church. Very old, no longer used. So we moved the church to the land, and I took off the steeple, and I got my hands dirty.


Throughout my pictures I employ a lighting which is not naturalistic.


Rock Hudson was not an educated man, but that very beautiful body of his was putty in my hands.


If I couldn't read, I couldn't live.


I worked for UFA as a set designer, you know.


I think the great artists, especially in literature, have always thought with the heart.


At the time I belonged to the socialist party, and Hitler came to power.


I was making films about American society, and it is true that I never felt at home there, except perhaps when my wife and I lived on a farm in the San Fernando Valley.


But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them.


If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.


Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.


You have to think with the heart.


The war was the end of an era, in art as well. And we were trying to create a new philosophy.


I considered that the homes that people live in exactly describe their lives.


At the same time, of course, Marxism arose - Rosa Luxembourg, Leninism, anarchism - and art became political.