Quotes from Ansel Adams


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The only things in my life that compatibly exists with this grand universe are the creative works of the human spirit.


There are always two people in every picture: the photographer and the viewer.


A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.


Myths and creeds are heroic struggles to comprehend the truth in the world.


A good photograph is knowing where to stand.


Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships.


You don't take a photograph, you make it.


I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!


A photograph is usually looked at - seldom looked into.


No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.


In wisdom gathered over time I have found that every experience is a form of exploration.


We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.


Twelve significant photographs in any one year is a good crop.


Not everybody trusts paintings but people believe photographs.


There is nothing worse than a sharp image of a fuzzy concept.


Photography is more than a medium for factual communication of ideas. It is a creative art.


There are worlds of experience beyond the world of the aggressive man, beyond history, and beyond science. The moods and qualities of nature and the revelations of great art are equally difficult to define; we can grasp them only in the depths of our perceptive spirit.


Some photographers take reality... and impose the domination of their own thought and spirit. Others come before reality more tenderly and a photograph to them is an instrument of love and revelation.


In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.


These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.