Quotes from Lawrence Lessig


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Before the monopoly should be permitted, there must be reason to believe it will do some good - for society, and not just for monopoly holders.


While the creative works from the 16th century can still be accessed and used by others, the data in some software programs from the 1990s is already inaccessible.


Power runs with ideas that only the crazy would draw into doubt.


Copyrights have not expired, and will not expire, so long as Congress is free to be bought to extend them again.


The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.


The danger in media concentration comes not from the concentration, but instead from the feudalism that this concentration, tied to the change in copyright, produces.


Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.


Now that copyrights can be just about a century long, the inability to know what is protected and what is not protected becomes a huge and obvious burden on the creative process.


Notwithstanding the fact that the most innovative and progressive space we've seen - the Internet - has been the place where intellectual property has been least respected. You know, facts don't get in the way of this ideology.


If the Internet teaches us anything, it is that great value comes from leaving core resources in a commons, where they're free for people to build upon as they see fit.


As we've seen, our constitutional system requires limits on copyright as a way to assure that copyright holders do not too heavily influence the development and distribution of our culture.


When government disappears, it's not as if paradise will take its place. When governments are gone, other interests will take their place.


Americans have been selling this view around the world: that progress comes from perfect protection of intellectual property.


A free culture is not a culture without property; it is not a culture in which artists don't get paid.


Monopoly controls have been the exception in free societies; they have been the rule in closed societies.


All around us are the consequences of the most significant technological, and hence cultural, revolution in generations.


This does not mean that every copyright must prove its value initially. That would be a far too cumbersome system of control. But it does mean that every system or category of copyright or patent should prove its worth.


Remember the refrain: We always build on the past; the past always tries to stop us. Freedom is about stopping the past, but we have lost that ideal.


Believing we know what makes prosperity work, ignoring the nature of the actual prosperity all around, we change the rules within which the Internet revolution lives. These changes will end the revolution.


We have a massive system to regulate creativity. A massive system of lawyers regulating creativity as copyright law has expanded in unrecognizable forms, going from a regulation of publishing to a regulation of copying.