So I have probably 1,200 little bits of paper with notes, which when the Ambien really starts to kick in, don't really make much sense. Say what you like about prescription drugs, but they do help when you're sequencing a record.
Economically, unfair trade will benefit nobody in the long run, as poorer countries will be bled totally dry and will become unable to produce anything.
You can sometimes get your own feelings across more strongly if you pretend that you're singing it from someone else's angle. But it's always from me. It's just a new way of framing it.
What makes us a bit nervous is, in this instant age, to release something that might take more than one listen. Where everything is instantly judged on YouTube or something! It's a bit like releasing a horse and cart on a racetrack.
It's more egalitarian on the Internet - anyone can put anything up. But in terms of the money it takes to allow a band to get good, there's less of it to invest.
I think that the fact that a relationship becomes public is a bit of a bummer. Because it can distract from the real reason why you're together, which is that you just like each other.
I think it's part of being English, particularly if you are middle-class - you're always looking to be reminded that you are no good and you are always actually embarrassed about being successful.
Even though the album is an endangered species, can we try and make a coherent and good one, even if it's like making a horse and cart at a Nascar conference?
Before our albums are released I feel like we still own it, that we have control over our music. But once it's out there in the world it's no longer ours.