Quotes from Joe Pantoliano


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They actually bought me for Daredevil 2, but they have to exercise the option.


I've been saying in the press that being a NY Post investigator reporter is an oxymoron.


I've been so good in so many movies that nobody saw.


Let's face it, 80 percent of the work I do my kids can't see.


Living in the projects helped me with this role.


One thing that's great about being a character actor is that a movie doesn't rest on your shoulders. If it bombs, it won't hurt my career.


The camera looks into your soul.


The Moguls is a story about guys that have all grown up together and are now in their late 40s, early 50s.


There aren't any small parts, only small paychecks.


I don't like directors that just say, Stand there and now do this.


Twelve to 15 years of acting school, and I am being a bird.


We have to promote a movie. It's just extraordinary that everybody I'm talkin' to loves this movie.


When we were making The Fugitive, we all thought it was going to bomb.


You'll never see me in the red leather. I don't have the chin for it.


In private some critics have come up to me afterwards and told me they honestly enjoyed the movie. Then they'd tell me that they're still going to have to write it up negatively.


We should do another 10 Bad Boys movies. I could come in in one of those electric wheelchairs, like Peter Sellers in Dr Strangelove, just shouting away.


When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.


Who owns the NY Post? 20th Century Fox. Talk about vertical integration.


I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.


That's another reason I did Daredevil: I didn't get killed off in it.