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Walter Benjamin Quotes - IQDb - Internet Quotes Database

Quotes from Walter Benjamin


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The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.


The art of the critic in a nutshell: to coin slogans without betraying ideas. The slogans of an inadequate criticism peddle ideas to fashion.


Quotations in my work are like wayside robbers who leap out armed and relieve the stroller of his conviction.


It is only for the sake of those without hope that hope is given to us.


The true picture of the past flits by. The past can be seized only as an image which flashes up at the instant when it can be recognized and is never seen again.


Opinions are to the vast apparatus of social existence what oil is to machines: one does not go up to a turbine and pour machine oil over it; one applies a little to hidden spindles and joints that one has to know.


Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.


The construction of life is at present in the power of facts far more than convictions.


Death is the sanction of everything the story-teller can tell. He has borrowed his authority from death.


Books and harlots have their quarrels in public.


The idea that happiness could have a share in beauty would be too much of a good thing.


Living substance conquers the frenzy of destruction only in the ecstasy of procreation.


Memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, as the ground is the medium in which dead cities lie interred.


All disgust is originally disgust at touching.


The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.


The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.


All human knowledge takes the form of interpretation.


The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.


Every passion borders on the chaotic, but the collector's passion borders on the chaos of memories.


Gifts must affect the receiver to the point of shock.