Quotes from Cary Fukunaga


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Sundance took me on my first film and from there sort of launched my career.


You need the actors to feel as much ownership of the performance and the direction of the story as you do to get the most out of everyone's potential. Part of it is just making sure we all have the same vision.


Have you seen McConaughey in 'Unsolved Mysteries?' Even back then, it's a great performance! And he's mowing the lawn.


Ed Norton is probably one of the smartest people I've ever met.


'City of God' and 'Slumdog Millionaire' are both films that I really like, but they are stylistically the opposite of what I wanted to do.


After 'Sin Nombre,' I just needed to take a break to go to completely different worlds.


There are elements to the 19th century which just don't work for contemporary audiences.


It's rare that you can promote a love story and feel fear in a film.


I enjoy setting the scene and coming up with interesting frames. 'True Detective' was a very hands-on set.


I don't believe happiness comes out of material gain, for sure.


I began writing fictional stories and little screenplays when I was in fifth grade.


I think I learned discipline on 'Jane Eyre.' Charlotte Bronte's dialogue, the intellectual duel between Rochester and Jane Eyre's character, is so compelling that you didn't have to do much with the placement of cameras.


No, ramen's not good for you. But in Japan, our favorite thing to do after drinking all night, especially in Sapporo where it's freezing cold, is to go to the ramen place at two, three in the morning.


I have a really good relationship with Focus Features; we had a wonderful time working together on 'Sin Nombre.'


Collaborations aren't easy, but you definitely get something highly different than had you done it on your own. That's part of the experience.


As storytellers, you're always somehow creating history.


Some directors don't get involved in the cinematography and are just about story, but I'm definitely more tactile than that in terms of my involvement in the minutiae.


I think I have this field around me that makes electronics work bad. It's not like an entropy thing; it happens very quickly.


Every single substitute teacher growing up could not pronounce my name, so whenever someone pauses, I'm like, 'Oh, that's me.'


I eventually want to do writing on all the films, but not necessarily to be the writer. Writing is a painful, painful thing; it really is.