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Mario Testino Quotes - IQDb - Internet Quotes Database

Quotes from Mario Testino


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I never notice a difference between photographing a man and a woman; for me, it's just somebody.


I have become aware on my travels that when a country loses the connection between its history and its traditional dress, something truly precious is lost.


Ultimately, I made my range wider because I wanted to suit each publication that I worked for. Talk about reinvention - I'm like the Madonna of photography.


I don't like a tormented photograph. Something attracts you in them, but the attraction isn't because she has a pot on her head or tonnes of make-up and weird clothes and weird everything.


Grunge came from a group of English photographers, and they were documenting their own reality... I'm South American - we celebrate life.


A lot of fashion photographers will do the same sort of image for many years; it's easier to be successful if you do that.


A lot of photographers like models to be blank canvases - but bland girls don't influence me. I don't like playing with dolls; I like playing with people.


At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.


A fashion photographer is nothing without clothes and hair and makeup. And when I speak to other photographers, a lot of them can't reference a picture by the designer. Me, I say, 'The Balenciaga.' And I go to the shows. I feel like it's my business.


When you're nice, people like you and will want to work with you. But it can mean that they take you for granted.


England gave me a chance. It's a very individual country where people have a personal style; they don't all follow a trend. The subtlety and wit of England is incredible, and they are very creative.


I am obsessed with people and how to make them look their best.


I adore being able to go to the Oscars and know every single person at the party afterwards.


England is the country where I learned my profession. They are the ones that trained me, they are the ones that believed in me.


You have to be you. You can't be anybody else. If you speak loudly, and people tell you to speak quietly, you can do it for a little bit, but loud people are loud, and people who are not, are not.


When I had photographed Prince William's mother, I brought along a CD of Dalida, a French singer, that we played on set all day to relax everyone. I decided to do the same thing for Catherine and William. The contrast of the contemporary informal music playing in the beautiful rooms with so much history caused a lot of laughter.


I started being a photographer because I liked fashion. I liked the idea of dressing up and changing my look. I got earrings, dyed my hair. I would dress like a fashion photo.


I find that my entire life has come to me, and things happened without me planning them. You know, I never asked to photograph Princess Diana, and that made me more famous than I wanted. I never asked to photograph Madonna, and that pushed me to another level. There are things that just take you into the limelight.


A photograph can make you feel so many different things. When you look at war photographs of Vietnam, or something similar, it makes you feel anguish and sadness and pain. Then in other moments, when you look at Jackie Kennedy walking down Fifth Avenue, that makes you feel glory and richness.


I think my sense of color I have got from my upbringing in Peru.