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Daryl Hall Quotes - IQDb - Internet Quotes Database

Quotes from Daryl Hall


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When I was a kid, I always looked up to people like B.B. King and Ray Charles.


When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.


Chronic Lyme causes arthritis, heart problems, stroke - even death.


Everybody who I ever cared about has told me that they like my music: Bob Dylan, Paul McCartney, Al Green, The Spinners, Smokey Robinson. Everybody that matters.


Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.


I'm in the trenches; I do the best work I can always do. Having said that, the way that what I do converges with the outside world is fascinating to me. Because it ebbs and flows. People's interest and understanding, it changes all the time.


I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.


In the early '70s, I started to feel like Philadelphia soul was the black-sheep brother of rock and roll. I decided to try to get away from it.


As a singer, I float around. I'm kind of scatty, bouncing around a lot. I try to adapt to what's going on around me in the song and the arrangement.


I always say the same thing - believe in what you do, do it, and don't veer away from the truth of it.


To write a good song, an artist has to drawn from reality. There has to be some spark from realism that communicates a real feeling to someone else. You have to be real. Or you have to be a really good storyteller.


Nobody really cares about what other people think anymore; they're all about themselves.


I think Philadelphia has been underrated over the years as a musical region.


For years and years, I was beset with snide remarks by certain members of the press, where they would turn John Oates into a joke, or they would trivialize what I do, which never really bothered me all that much.


As I got older, my voice got better.


The first thing I ever did was play talent shows at the Uptown Theater and the Adelphi Ballroom.


I returned to upstate NY where I just laid in bed for days with a fever that just wouldn't go away. After more of this, I grew increasingly sure that this was not simply the flu!


I was very inspired by my mother. She was a vocal teacher and sang in a band, and my first memories of her were going out with her on the local circuit.


I was always an introvert as a kid. Then, when I first kind of came out as a human being, I used to be one of those guys who'd go nuts on the dance floor, and people would gather around.


If you take a bunch of superstars and put them in a room where they don't have their assistants and entourage, it's funny to see what happens.