My mother was a very beautiful lady, I thought. She was very good to me. I guess - she died when I was nine and a half, but if she had lived, I probably wouldn't be trying to play guitar. She wanted me to be known, but as something else. Not a guitar player.
Sometimes I just think that there are more things to be said to make the audience understand what I'm trying to do more. When I'm singing, I don't want you to just hear the melody. I want you to relive the story, because most of the songs have pretty good storytelling.
When people treat you mean, you dislike them for that, but not because of their person, who they are. I was born and raised in a segregated society, but when I left there, I had nobody I disliked other than the people that'd mistreated me, and that only lasted for as long as they were mistreating me.
Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
The blues was like that problem child that you may have had in the family. You was a little bit ashamed to let anybody see him, but you loved him. You just didn't know how other people would take it.
Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.
