Quotes from Rachel Cusk


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I was aware, in those early days of motherhood, that my behaviour was strange to the people who knew me well. It was as though I had been brainwashed, taken over by a cult religion. And yet this cult, motherhood, was not a place where I could actually live. Like any cult, it demanded a complete surrender of identity to belong to it.


There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.


An eating disorder epidemic suggests that love and disgust are being jointly marketed, as it were; that wherever the proposition might first have come from, the unacceptability of the female body has been disseminated culturally.


Writing, more than any other art, is indexed to the worthiness of the self because it is identified in people's minds with emotion.


Like the child, the creative writing student is posited as a centre of vulnerable creativity, needful of attention and authority.


If I know somebody is coming 'round, it is incredibly difficult for me to work because I'm waiting for this interruption - even the children's comings and goings are interruptions. Cake-making is a good way of coming out of that space.


To become a mother is to learn a whole language - to relearn it, perhaps, as it was the tongue to which we were born - and hence gain entrance to a forgotten world of comprehension.


The distinctive feature of my family was intolerance of sensitivity and emotion - 'Everything's great, it all has to be great all the time and why do you have to spoil it?' Whereas probably the most fundamental and important thing to me has been defending my right to tell the truth about how I feel.


Shame is something you'll find a lot of - particularly Catholic - girls feel about their bodies, about their sexuality, about their diet, about anything you like. Shame is the way you keep them down. That's the way to crush a girl.


It's a pretty brutal process, having a baby.


What I increasingly felt, in marriage and in motherhood, was that to live as a woman and to live as a feminist were two different and possibly irreconcilable things.


The woman who thinks she can choose femininity, can toy with it like the social drinker toys with wine - well, she's asking for it, asking to be undone, devoured, asking to spend her life perpetrating a new fraud, manufacturing a new fake identity, only this time it's her equality that's fake.


The woman who has her being in marriage and motherhood has become part of antithetical reality, revoking property from the woman who remains in a condition of intangible femininity.


I think men and women are the same. Even as parents, I think we're the same. We're just conditioned to think that we're different. Having said that, it's true that motherhood is a particularly vulnerable area. It's an open wound, really. A woman is exposed to being turned into a different kind of person by the experience of motherhood.


The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.


There is always shame in the creation of an object for the public gaze.


A creative writing workshop will contain students whose ambitions and abilities, whose conceptions of literature itself, are so diverse that what they have in common - the desire to write - could almost be considered meaningless.


As it stands, motherhood is a sort of wilderness through which each woman hacks her way, part martyr, part pioneer; a turn of events from which some women derive feelings of heroism, while others experience a sense of exile from the world they knew.


The 'good' mother, with her fixed smile, her rigidity, her goody-goody outlook, her obsession with unnecessary hygiene, is in fact a fool. It is the 'bad' mother, unafraid of a joke and a glass of wine, richly self-expressive, scornful of suburban values, who is, in reality, good.


There is always shame in the creation of an expressive work, whether it's a book or a clay pot. Every artist worries about how they will be seen by others through their work. When you create, you aspire to do justice to yourself, to remake yourself, and there is always the fear that you will expose the very thing that you hoped to transform.