There's a lot of magic involved in movies that as a child I really appreciated. So I love bringing my son to set. It reminds me of what I loved doing as a child, and also, as an actor, you have a lot of down time.
Susie Waggoner in 'Miami Blues' is just such a sweetheart, such an innocent. When I watch that, I really feel like I'm watching Susie Waggoner. I don't really see myself. And there's a simplicity to it that I really like.
I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others.
My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.
I've never really been a careerist; I've never been able to step back and look at anything in that way. I though this is just what happens. I did take my work very seriously. I loved immersing myself in a character. I loved getting the opportunity to do that. I didn't realize how extraordinary it was, how lucky I was, because I was young.
I'm so different to the roles I play, and perhaps that's why they are appealing to me as an actor. But I would never want to inhabit my characters' shoes in real life.
My mother always helped me because she was kind of a research fanatic. When she would write a screenplay, there would be so much research all over the walls. And so when I started working as an actress, I would do the same thing. She instilled in me a love of taking everything very seriously. It didn't matter what it was.
'Georgia' is very personal to me. 'Anniversary Party' was great. 'Anomalisa' is also another one that, particularly, is in my heart and will be forever. I do think it's a masterpiece; I really do.
