Quotes from Chris Van Allsburg


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I believe that there will be many things that happen to me in my life that I will not be able to explain. Some of those might be magic. I'm not sure.


It was the case for a number of years that I was doing a book a year, but that was back when I was part-time teaching - and since 1991, I've been a parent, so that cuts into the time!


I don't know if what kids really want is a hamster. What they want is a dog. So the hamster ends up being a substitute: 'Well, would you accept this?'


They don't send people from large corporations to hire people to make sculptures.


There's definitely a value in being literate.


I don't like to get scared - it's not one of the emotions I enjoy. So I have to assume that if there are scary things in my books, they aren't very scary.


I'm not surprised that my books appeal to adults.


I was about 28-29 when I wrote my first story, and that was called 'The Garden of Abdul Gasazi.'


I think parents generally know what's best for their children. But I suppose it's possible to be overprotective.


I sculpted for four or five years. Mostly for my own amusement, I decided to do a picture book, and that was kind of a turning point.


I'm sensitive to the things I see.


Growing up in the 1950s, in Grand Rapids, Michigan, boys were supposed to be athletic.


Authors of books are not given very much control over the films that are made from their books.


As long as I can remember, I've always loved to draw. But my interest in drawing wasn't encouraged very much.


The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.


The general effect of viewing 'Jumanji' is thrilling. I was able to see on film a thing that at one point had only existed in my imagination. I got to see the images from my book come alive.


The Dick, Jane, and Spot primers have gone to that bookshelf in the sky. I have, in some ways, a tender feeling toward them, so I think it's for the best.


People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.


I try to satisfy the desires that people have to have their books personalized. That's a value, or feature, of bibliophilia that may vanish. How do you get your e-book signed? The idea of people standing in line to get my signature in their book, it's hard to turn them away.


What kids are exposed to on television is more frightening and horrifying than what they see in my books.