Notice: ob_end_flush(): Failed to delete and flush buffer. No buffer to delete or flush in /home1/ntptuqmy/public_html/quotes/includes/header_html.php on line 6
Richard Eyre Quotes - IQDb - Internet Quotes Database

Quotes from Richard Eyre


Sorted by Popularity


There are those who leave without our needing to detain them; we have said all there is to say.


Maybe we slip so easily into blaming our parents - you're perpetually a child and they're perpetually a parent and you long to balance the equation, but it can only be balanced posthumously.


There is in our society a gulf opening up, a kind of cultural apartheid, between those who are brought up to feel our national culture is theirs, to take ownership of it, and enjoy the privileges of that, and those who are completely disfranchised, those - for example - who will never be taken to the theatre to see Shakespeare.


I'm the classic example of alienation: I grew up in a middle-class household without art or books. I was going to be a chemical engineer until I went to the theatre for the first time at 16 and was blown away by it.


Balance is the enemy of art.


Don't ever be afraid to ask any question.


Everything people say about grandparenthood is true - it is pleasure without responsibility. It is unquestioned love.


Governments have always been wary of the arts because they're wayward and ambiguous and because they deal with feelings rather than facts.


I resent all organised religions.


I was a chronically shy child. That kernel of my younger self is still there, but I've developed mechanisms to deal with it.


Art is about the 'I' in life not the 'we', about private life rather than public. A public life that doesn't acknowledge the private is a life not worth having.


You can't be minimalist as a director until you have acquired the experience and confidence to say no.


All good actors are very bright. You can't be stupid and a good actor. You may be inarticulate, you may not be highly educated, but all good actors are quick-witted, some of them dazzlingly so. All you do is guide them.


I have a worm's eye view and a bird's eye view simultaneously and it's immensely helpful to understand what is happening on the shop floor when you are harnessing many talents and telling an intimate story on a large scale.


I'm inclined to think that, because it's such an awful life, that politicians do go into it for the best reasons. I mean, some may love the sound of their own voice. But it's such a wearying life, you've got to be impelled by some desire to leave the world a better place than when you came into it.


I'm never comfortable at theatre opening nights. If it's my own production I'm too wound up to be able to enjoy the performance and too wary to enjoy the event as a social occasion.


I'm wary of artistic directors who say, 'Here is my vision', because it's empirical. Basically it's about who you work with and what plays you put on; the vision comes out of that.


I've always believed that you write to discover what you think. On most subjects, if I'm asked what do I think about them, I'd say I don't know, I'll have to write them down.


Theatre is castigated for wallowing in self-indulgence, but it's curiously unsentimental. You simply have to move on. Everything passes. Something in me likes that.


I believe there is a relationship between having an interest in the arts and the behaviour of society as a whole. Some politicians find it difficult that the arts is a weapon of happiness... Politics is often about deprivation rather than the opening up of ideas and nourishing creative endeavour.