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Amanda Palmer Quotes - IQDb - Internet Quotes Database

Quotes from Amanda Palmer


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I've been in a recording studio enough times to know that it is not the best place to multitask. Doing a couple of takes of a song and running out to check your email to talk to someone about video production really is not good.


One of the best things about Kickstarter and crowdfunding and the collapse of the music business is a lot of artists like me have been forced to face our own weird mess about ourselves and what we thought it meant to become musicians.


People had this idea about becoming rock stars packing stadiums instead of having the goal of becoming what musicians used to be in terms of how they would perform and connect people.


There's no blueprint; getting married doesn't make you boring, having kids doesn't make you boring, having money doesn't necessarily have to make you boring.


There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.


I don't feel at home in New Orleans. I don't feel at home in Austin or L.A. And I just felt immediately at home in northern Australia.


I had very literal parents and I wanted to survive with metaphor and art, and there was a real sense of shame around it.


I think to say that meditation is helpful to artists is true and it's great, but it's also essentially helpful to any kind of process of, just, life.


Thank God my best friend's a therapist.


I'd actually say that every musician is a human being, and that not everybody likes being social. But with music, there are all these ingredients to the business that have nothing to do with writing songs or playing an instrument.


In some way, my fundamental feeling about music is that it's impossible to put a price tag on it. Human beings made music before they made a lot of other things, including tools.


If you stuck me in a room and gave me art-making tools but told me no one would ever see the results, I don't think I'd have much desire to make art. What I do comes from a deep desire to be seen and to see others.


My number-one goal is to never feel like I'm strictly defining myself. The minute I feel like I'm doing that as anything - as theatrical, as feminist, as songwriter - I feel like the minute I name it, I'm stuck in a box.


Every album is just a greatest hits of whatever songs are on a pile when I go in to make a record.


I get so many ideas for songs, but I'm so seldom disciplined enough to sit down and crank them out.


I suppose I'm happy to sell my time and energy, but I'm not happy to sell my initial creative time.


I was just a very dark kid. My family was complicated.


I'm a massive fan of David Lynch and 'Twin Peaks.'


Bands like Nirvana had theatrical sensibilities, playing with image, challenging assumptions people were making about them, the apex being Kurt Cobain in a dress to make a point.


You get the feeling that on a lot of days the audience for most music would kind of rather not be faced with the artist, especially because we've been educated to think that the artist are these special creatures are otherwordly and aren't like us.