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Andy Goldsworthy Quotes - IQDb - Internet Quotes Database

Quotes from Andy Goldsworthy


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Ideas must be put to the test. That's why we make things, otherwise they would be no more than ideas. There is often a huge difference between an idea and its realisation. I've had what I thought were great ideas that just didn't work.


I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.


I did tests on small stones before collecting and committing myself to the larger ones.


Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.


Not being able to touch is sometimes as interesting as being able to touch.


A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels.


The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.


The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.


Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.


Winter makes a bridge between one year and another and, in this case, one century and the next.


Confrontation is something that I accept as part of the project though not its purpose.


The first stone was just tried in the spirit of experimentation. The opening of the stone was far more interesting than the drawing that I had done on it.


A stone is ingrained with geological and historical memories.


Even in winter an isolated patch of snow has a special quality.


Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer.


As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.


People also leave presence in a place even when they are no longer there.


Snow provokes responses that reach right back to childhood.


My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.


I enjoy working in a quiet and subversive way.