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In the liberal remake of 'Casablanca,' the police captain comes upon the scene of the shooting and orders his men to 'round up the usual weapons.' It's always the weapon and never the shooter.
With the second 'Captain America,' we really pushed the envelope in terms of what this guy is capable of, which I was excited to see. Because in the first 'Captain America,' he's just strong. In 'Avengers,' it was still, in my opinion, a little bit 'punch, punch, kick, kick.'
There was a little less pressure to be fit on 'The Avengers' than 'Captain America.' I had just finished 'Captain America,' so I was already built. Plus, 'Captain America' has that one scene dramatic scene where my transformation is revealed. 'The Avengers' has not one shirtless scene.
I'm not trying to steal the show. I tend to shy away from - I don't want to say the spotlight - how about responsibility? It's just very daunting. These movies are very intimidating. 'Captain America.' This is the stuff I struggle with.
I really like people who have the gift of the gab. I like characters that are very eloquent, articulate and confident in what they're saying. Especially coming off 'Captain America,' who's very internal and intimate, I'd love to play someone who wears their emotions on their sleeves, potentially to a fault.
I always wanted to see why Captain America was on this team of Avengers. He's got to have a reason - he can't just be really fast and punch really hard.
With 'Captain America,' you might have three lines of dialogue the whole day. And there are just a million angles and a million set-ups, and it's tedious.
My fate cannot be mastered; it can only be collaborated with and thereby, to some extent, directed. Nor am I the captain of my soul; I am only its noisiest passenger.
I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!
I've always found when I was captain when other people were doing the talking for me, I didn't need to say as much, and when I did say one or two things, people tended to listen all the more.
I spent 34 months on the battleship Alabama, South Dakota-class. I was a gun captain. First we went to Russia for about 11 months with the British convoys. Then we were up in Norway and Scandinavia.
The way this whole novel thing came together was, I sold them one bill of goods and then didn't communicate very well. I am like Captain Run-on Sentence.
I went from just a regular nappy-headed kid in poverty to Amar'e Stoudemire, New York Knicks captain superstar. But there's a lot in between that allowed me to get from point A to point B.
When I was eight or nine, I wrote a new version of 'Peter Pan' for the school play. They didn't use it - I imagine it was unperformable - but as recompense for not doing my script, I was offered any role, and instinctively went for Captain Hook. I came on trying to be terrifying, but everyone laughed at me.
