I would passionately make the case that the harder the times, the more we need things that aren't just about keeping our job and making a buck - important though those things are. Arts programming isn't some sort of add-on or ornamental luxury.
We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
Willie Wells, Ray Dandridge, Leon Day, Buck Leonard, Quincy Troupe, Satchel Paige - earlier than when he was called up - Oscar Charleston and Josh Gibson. You see what kind of talent we had, and guys in the majors knew it too.
When I was a 25-year-old kid, I raised $260,000 for my first show, 'The Pajama Game,' in such a homemade, pathetic, endearing way - a buck here, a buck there.
Certainly, R.E.M. grew out of the Wuxtry record store in Athens, where Peter Buck was working and Michael Stipe came in to visit. And even their later manager, Bertis Downs, they all met and congregated at that record store. So I'm sure we wouldn't see those without the record store.
Half of me is this wacked-out comedienne who will do anything for a buck and a laugh. Well, at least for a laugh. But the other half is a lot darker, sadder and more pensive. It's the dark side that feeds the outrageousness and allows it to surface. I think that's true for anyone with comic flair.
