It strikes me every time I do an interview that I don't really sit around thinking about my goals and my life and my career. I do what I love doing and I get a lot of feedback. I'm free as a bird, you know? If I do something good, it's, 'Wow, that was brilliant,' and if I do something bad, it just goes away.
I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.
I was so full of joy, the happiest kid. Things changed. I don't want to talk about it. I needed attention. I was pathologically shy. I'd climb the highest tree or try to ski off the highest mountain. I'd get into fights. I wanted contact. I'd hit somebody, just for that.
By the time the discussion starts about a movie, it's like bringing up an old boyfriend. It's like, 'I don't even remember exactly what he was like, and now we have to talk about it?'
I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.
