Quotes from Elizabeth Debicki


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Dancing gives an innate physical awareness - it's physical training. Acting feels like the same medium but just with words.


You think there's a rule book, in a way, until you realize there's absolutely no rule book, and you can use a red carpet to express something about yourself. There are so many wonderful designers in the world, and they create such wonderful things. Why go with something uninteresting?


A dancer's life is as peripatetic and unstable as that of an actor's. You're freelancing yourself all the time, and a dancer's lifespan is even shorter than an actor's: once they turn 30 or 35, they have to stop.


When I went to the Victorian College of the Arts in Melbourne to study drama, I felt I'd finally found my place in life.


Television is the medium that's allowing women's stories to flourish.


Often, you're not quite sure what people have seen you in, but the script lands in your inbox. That was the case with 'The Night Manager.'


Often, female characters are quite one dimensional, especially in a two hour film; television gives characters room to breathe and develop.


It's tricky territory, height and co-stars. The only thing I can say is that it's never been an issue in my life.


I think that if you're lucky enough to work with a stylist who pulls a rack from the beginning that you love everything on it, that's a blessing.


I don't think it's healthy to buy into hype in any form, whether it's positive or negative. You have to exist in yourself and just move on with life.


I definitely try my best not to stay in character when I'm not on set, which can be more difficult in some roles than others.


I guess the bigger you dream, the further you have to fall if you don't get it, so it can be a bit of a scary thing to be that ambitious.


Charlestoning is hard. People were fit in the '20s to be able to do that. I guess they didn't sit in front of their computers all day.


Baz Luhrmann is a very visual director. He needs to see things as they would unfold in his world.


As a child, I got bored with my surroundings, so I would be another person for a little while.


A good night in is a series of documentaries.


I was very new to working in front of the camera when I started shooting 'Gatsby', so I set myself the mission of gleaning as much information as possible out of the much more experienced actors. The cast was astoundingly talented.


I was a dancer from a young age. My parents were dancers; we were taken to a lot of ballet as children. It occurred to me that what I liked more than dancing the steps was acting the story of whatever particular performance I was taking part in.


I don't have a story about an epiphany in which I suddenly realised I wanted to be an actor. It was much more a case of the idea dawning on me gradually.


Every time I see a good play or watch a good movie, I have the same feeling I had as a child of wanting to be that person on stage or wanting to run through the forest with a big dress on.