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Sam Shepard Quotes - IQDb - Internet Quotes Database

Quotes from Sam Shepard


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On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.


When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come.


I always thought the desert was the antithesis of peace - something that attacks you. So you don't go to the desert for peace.


Hollywood is geared toward teenage idiocy.


There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.


It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.


You can't make a living as a playwright. You can barely scrape by.


I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.


The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.


Personality is everything that's false in a human: everything that's been added on to him and contrived.


The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described. It's a thing of discovering. That's when writing is really working. You're on the trail of something, and you don't quite know what it is.


For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.


It's one of the great tragedies of our contemporary life in America, that families fall apart. Almost everybody has that in common.


My old man tried to force on me a notion of what it was to be a 'man.' And it destroyed my dad.


I didn't go out of my way to get into this movie stuff. I think of myself as a writer.


To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.


You sometimes use the excuse, 'I'm a writer, dammit, I can do anything I want,' but that doesn't work.


In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.


Sides are being divided now. It's very obvious. So if you're on the other side of the fence, you're suddenly anti-American. It's breeding fear of being on the wrong side.


Democracy's a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it's no longer democracy, is it? It's something else. It may be an inch away from totalitarianism.