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Allison Anders Quotes - IQDb - Internet Quotes Database

Quotes from Allison Anders


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During the '90s, a lot of us in the indie film world were not making our money off our movies. We were screenwriters doing scripts for hire for studios.


I had always felt deep down that I owned the characters. Much as I adored and cherished the work of my actors, I felt that they were cast to do and be what I could not physically do or be.


I think that with the success of, like, VH1's 'Behind The Music' and stuff like that, the fact that it's so successful, it's clear that people are interested in rock lives.


It was such a struggle for me to make it off welfare. I was getting $630 a month for myself and my children with no support from their fathers. The rent was $600 a month, and if you got a job, they took it out of your welfare.


Music has always been a great solace for me. It's still something that gives me far more joy than movies, I must say. I love movies, too. But somehow, music can transport you. There are so many different kinds of experiences you can have with music.


My work is better, maybe all filmmakers are better, for Polanski's imprint on cinema. He created language for all of us to use, there is no question about that.


Nothing feels worse than knowing that people didn't see your movie. That they wanted to and the critics loved it but nobody knew where it was because it didn't do what it was supposed to do opening weekend. It used to be that independents were allowed to stay in the theaters, build word of mouth.


Nowadays you don't get to see composition in a movie because nobody ever keeps the camera still long enough to see it. Actors don't have the thrill and the power of working with space.


In 'Honeymoon in Vegas,' after Nicolas Cage tells his fiancee that he's given her away to pay for his gambling debts, she gets into a tizzy as if she were a 6-year-old. I couldn't believe it.


For me, the most exciting thing is that Jane Campion is a woman we can all really look up to. She doesn't have the body of work that some other directors do - no woman director does - but her work is so consistently original, wonderful, masterful.


I don't know that movies are important. But I know that stories are important. Movies may disappear. They've only been around, for God's sake, for the last hundred years... I think that it's the need to tell stories, and that people need to be told stories. It's the old sitting around the fire, you know.


Box office is one of the strongest tools we have toward preserving our ability to make our movies. We really can make a difference by purchasing a ticket each opening weekend to a movie made by a woman, even if you don't like the movie or the filmmaker and even if you don't see the film.


You end up giving up half your salary every time you make a movie because you need the money to make the movie you have in your head.


When you're traumatized, you pick out one thing you remember more than anything else.


When I wanted to become a filmmaker, there was nobody for me to look up to.


When 'Gas Food Lodging' was released, I had already shot 'Mi Vida Loca.'


Unless it's something very clever like 'Memento,' most independent films have a very tough life out there.


This practice of skinny actresses donning fat suits is essentially the new and acceptable blackface in Hollywood.


There's never been a 'girl wonder' mythology.


There's a persona that musicians carry with them. I like to find what's under the persona.