Quotes from Bill Sienkiewicz


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Nothing is really media driven or committee driven, so you can actually just produce something.


Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.


For a while I felt very alone; sort of out there in the world of comics, especially here in the States.


I didn't want to feel constrained, so I took on the Mutants.


I still love a lot of the guys who just paint.


I wanted to be complete, because I figured that, visually, there was an avenue to explore with painted stuff.


If somebody can inspire me, it feels really special.


If you're going to establish a certain level of unreality than you have to deal with it.


Kyle Baker's work is really funny, but it's also got a very clear vision.


But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube.


That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people.


There is a whole generation of people who are going to see movies or watch TV who don't want to work.


But I'm aware of the fact that I'm working in a commercial venue where I'm producing something that I wouldn't normally be approaching the way I'm doing it.


Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.


One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.


People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to.


So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in terms of what I want to say with it is a little different.


To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.


I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar.


And I've never viewed comics as assignments for the client.