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Adam Mansbach Quotes - IQDb - Internet Quotes Database

Quotes from Adam Mansbach


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I believe that writers have a responsibility to evolve the language, whether by introducing new words or new usages. Shakespeare alone is responsible for something like 3400 words and phrases.


The thing I love about being a novelist is that with each project, you invent a new world. You approach it with a different set of aesthetic and structural ideas, and you grapple with a different series of problems in figuring out how to tell the story. And yet there are certain concerns that stay constant.


We had a kid. The kid was awesome. She didn't fall asleep easily. We complained about it. We got frustrated. But we didn't look for an out. We just accepted that this was part of parenting.


'The Pushcart War' is presented as a history of a conflict that has not yet taken place; in each edition of the book, the date on which the hostilities commenced is nudged forward.


In theory, parents are supposed to empathize with one other - find common cause in the fervent desire to preserve and protect the world for the next generation, and connect on some deep, almost mystical level that those poor souls who have not experienced this kind of all-consuming love cannot possibly comprehend.


I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.


I would like to think that I curse expertly - it's not something that I do without considering it. I never curse without intending to; it's not something I resort to because of inability to articulate or find the correct word.


I was a rapper and a DJ, and if you wanted to be involved in hip-hop, you had to be involved in the sonic, the kinetic and the visual aspects. The visual was graffiti.


I think there's a lot of anxiety about being seen as a bad parent. There's still a lot of subjects that I think people aren't entirely comfortable being honest about.


I like to write in coffee shops in countries in which languages I do not speak are spoken. That way, you're surrounded by the buzz of humanity, but you aren't distracted by people's conversations.


Look closely, and you can see where the grooves of a record widen, indicating a sparseness that can only be a bass solo, or grow denser to accommodate a cresting density of sound.


Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.


For me, graffiti writers were always the fascinating eccentrics of hip-hop culture. What they do is secretive by definition, and not remunerative in any way.


Children crave routine and find listening to the same stories over and over again soothing. If you've grown weary of the holiday books you've read your kid 7,883 times, try adding 'dude' to the end of every line of dialogue.


Because Jews were kicked out of every country in Europe at one time or another, and plenty of other places as well, there isn't an ability to identify with a national heritage - you'll never hear a Jew say 'I'm German' or 'I'm Polish,' without saying something about being Jewish as well, and for good reason.


A good cookout ought to last at least six hours; if you haven't eaten and gotten full and gotten hungry and eaten again, you're doing something wrong.


While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.


When I'm writing, I'm in an isolation chamber. I'm not one to think about that outside world stuff when I'm writing.


Ultimately, very few people parent their kids in ways that strike anybody else as reasoned, appropriate or sane.


To me, 'The End of the Jews' - both the title and the novel itself - is about the end of pat, uncritical ways of understanding oneself in the world.