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Mary Ellen Mark Quotes - IQDb - Internet Quotes Database

Quotes from Mary Ellen Mark


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Looking at my own prom photograph reminds me of how significant that moment was - and how fleeting life is.


I'm just interested in people on the edges. I feel an affinity for people who haven't had the best breaks in society. I'm always on their side. I find them more human, maybe. What I want to do more than anything is acknowledge their existence.


I've always been interested in photographing traditions and customs - especially in America. The prom is an American tradition, a rite of passage that has always been one of the most important rituals of American youth. It is a day in our lives that we never forget - a day full of hopes and dreams for our future.


I've always been fascinated by twins. In my forty years of photographing, whenever there was an opportunity, I would take a picture of twins. I found the notion that two people could appear to look exactly alike very compelling.


I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.


If I'm in an unusual or extreme social environment, I always want to know what it's like to grow up there and experience it as normal, everyday life. And I want to know what sort of adults these children are going to turn into.


I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.


I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'


During prom season, I travel around the country with a 20-by-24 camera - which is logistically complicated - and photograph proms. My husband made a film of it.


As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.


I don't like to photograph children as children. I like to see them as adults, as who they really are. I'm always looking for the side of who they might become.


I love to photograph people in their own environment. It offers clues to what's important in their lives.


I love dogs. I absolutely adore them. When I'm teaching in Mexico, I rescue dogs from the streets and make my students adopt them.


I have an incredible relationship with dogs. I'm kind of a dog-whisperer.


Every photograph is the photographer's opinion about something. It's how they feel about something: what they think is horrible, tragic, funny.


A lot of people who don't have anything collect dogs; it's kind of a symbol of having something.


When I started out, it was considered very wrong to change an image. There were scandals if someone inserted a sky into a war picture or something. Now it's all about that.


Sometimes I work on film sets. I've done this for 40 years. I always wanted to photograph on the set of an Ingmar Bergman film. Unfortunately, I never had the opportunity.


If I hadn't become a photographer, I would have loved to become a doctor. I would have loved to have done something that actually helped people and changed their lives.


I'm a documentary photographer. That's what I've always wanted to be; that's where my heart and soul is.