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Thomas Perry Quotes - IQDb - Internet Quotes Database

Quotes from Thomas Perry


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I don't think the problem is that people don't read enough mystery books, but that people don't read.


You have very accurately described the difficulty of presenting my books on film: many of my characters are alone most of the time, and when they do talk, what they say is mostly lies. That can make for a pretty confusing film.


There are days when I intentionally don't write. For instance, I never write when I'm traveling, because travel is a situation where I can learn more by looking and listening than by working.


It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.


If you'll think about various series you've read, can you think of any instance in which, say, the tenth volume of the series is notably better than the first nine? I can't.


I think we did a great job of putting together a program that would have made good e-books available had people been buying e-books in any real numbers.


I do want to write about Jane Whitefield again, but only when I have a good enough idea - something I've figured out about her that's news and that's worth a reader's time.


I do have to earn a living, so I'm conscious of probable reactions from readers, but the most important one is still the awareness that if I'm not enjoying a story, the reader won't either.


Yes, in my books I do edit myself to keep from becoming the Village Explainer.


When I write a book, I'm making it the best book I can.


What I look for in any character, good or bad, is whether I can hear him speak. If I can imagine him that clearly, then I can write about him.


It was a lot of fun, and writing a series is comfortable. It's almost like having a secure job.


I held a variety of jobs - most notably ten years working in universities - and kept on writing.


I had been writing fiction since I was in eighth grade, because I loved it.


If I don't have a project going, I sit down and begin to write something - a character sketch, a monologue, a description of some sight, or even just a list of ideas.


I don't consciously do anything to maintain a unique voice.


I do try not to spend much time reading in the suspense genre.


I do hope to bring Jane Whitefield back before too long.


Contrary to what many writers imply about the process, nobody forces a writer to sell his work to the film industry.


All writers are mimics, and I'm not interested in picking up somebody else's style or voice.