Quotes from James Gray


Sorted by Popularity


I live up Laurel Canyon, and if I want to walk with my son, I have to drive to the park, which is so insane to me.


When I was younger, I felt it essential to see every movie ever made. Now I feel as though I've got to read every book, see every art show, watch every play and opera and concert and so on. It does not end, and of course there is truth in the old cliche that the more one knows, the more one realizes one knows nothing at all.


All I can say is sometimes home gets burned into your occipital lobe, and it can't leave you, and there's always that longing.


The system is not really particularly amenable to filmmakers who write and direct their own work. It's much more about the studio already having a property that has a marketable concept and then hiring the director on board.


The sad truth for American actors is that they really have no control whatsoever over the material that they get, or can do, particularly actresses. And if you're over 40 and you're an actress, forget it.


My wife and I had been to the genetic counselor; my wife is not Jewish - she's the shiksha goddess type - and was negative for everything. But I was positive. I carried the gene for three genetic disorders, which, if she had been positive for, we would have passed down to the child.


I suppose I'm always trying to break down the wall between my characters and myself. I'm trying to make the film as expressive and personal as I can, even if I can't explain, for example, how important it is for me to be Jewish.


At least in America, the narrative is I'm a Cannes favorite. But, in fact, I've had my best experience in Venice, both with the audience and the jury.


My grandparents, they came through Ellis Island in 1923, and you know, I'd heard all the stories.


Melodrama and melodramatic are not the same thing, and often people make the mistake of confusing the two.


I think storytelling is a thing of beauty, and also very difficult. It's a craft you have to continue to work at.


At a certain point, you have to kind of realize that greatness is a messy thing.


The state of being in love is so inherently preposterous. It usually lends itself to romantic comedy. I think we've all been there.


My grandparents used to tell me stories about their trip to Ellis Island from Russia and life on the Lower East Side of New York.


Melodrama is one of the most stunning art forms. These are stories where the emotions are big, and the situations are big, and the artists believe in the situation dramatically. There's no irony or distance.


At Ellis Island, I mean, you didn't go there if you arrived in first class. It was only the poorest, the people in the worst shape.


My wife thinks I have an obsession with social class. So I guess I have an obsession with social class. It probably stems from feeling like an outcast.


It's difficult because Manhattan is so fantastic, and it's 9 miles away, and all these cool rich people live there and have great lives, and you live in a semi-attached row house in Queens.


As ugly an admission as this is, I met my wife at a party, and if I had been to the same party and she were dressed in different clothes, I might never have talked to her. She might have projected something that I found distasteful, even if she otherwise looked exactly the same - a beautiful woman to me.


I feel that The American Dream is this fallacy that you come to the United States and win lotto. That's a disservice to The American Dream because the American Dream is worth striving for. And it's not easy.