The album is a thing that you can hang out with between shows. I think that it's really nice to give people something they can enjoy in a private situation or walking around, just as the soundtrack of their lives.
Popular music usually has a chorus that needs to repeat, and people need to remember the song. That's sort of the major guideline when you're writing a song.
In a place like the Greek Theater in L.A., to try and create a close connection with the audience seems almost antithetical to the architecture of the building.
For the better part of my life, I was always trying to manufacture somehow what I would consider 'living.' Because I grew up sort of upper-middle class and I didn't relate so much to that as a life, and I wanted to really find 'living.'
I took a lot of long summer road trips with my dad, and the mix of music we listened to on the road skipped around from classical to Western to new age to hyper-cinematic.
Hip hop was definitely, far and away, the primary influence for at least 10 years of my life. From about 7 or 8 on till about 15 or 16, that's all I listened to.
It's not that I want to necessarily avoid my darker moments, but I don't capitalize them and put a crown on them and tote them around as the answer anymore.
I think Edward Sharpe's music is counter-cultural music in the strangest sense where you have a time now where love, optimism, hope and community are uncool and not part of the mainstream culture.
From about 5 years old on, I was very contemplative and started to become constantly filled with nostalgia for the present moment and the feeling that it's always fleeting.
I try to give the music more of a campfire feel as opposed to a library atmosphere. I like when you can hear people hanging out in the songs and doing a little shuffling. It creates a feeling of participation.