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Lucian Freud Quotes - IQDb - Internet Quotes Database

Quotes from Lucian Freud


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The picture is all he feels about it, all he thinks worth preserving of it, all he invests it with. If all the qualities which a painter took from the model for his picture were really taken, no person could be painted twice.


Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.


You ask why I'm fascinated by the human figure? As a human animal, I am interested in some of my fellow animals: in their minds and bodies.


Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen.


When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't.


The model should only serve the very private function for the painter of providing the starting point for his excitement.


Now that I know what I want, I don't have to hold on to it quite so much.


The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.


I paint people not because of what they are like, not exactly in spite of what they are like, but how they happen to be.


I would wish my portraits to be of the people, not like them. Not having a look of the sitter, being them.


The painter's obsession with his subject is all that he needs to drive him to work.


I never think about my style but just try and make the pictures look believable.


I am only interested in painting the actual person, in doing a painting of them, not in using them to some ulterior end of art. For me, to use someone doing something not native to them would be wrong.


And, since the model he faithfully copies is not going to be hung up next to the picture, since the picture is going to be there on its own, it is of no interest whether it is an accurate copy of the model.


Full, saturated colours have an emotional significance I want to avoid.


My work is purely autobiographical... It is about myself and my surroundings.


The aura given out by a person or object is as much a part of them as their flesh.


As far as I am concerned the paint is the person. I want it to work for me just as flesh does.


The character of the artist doesn't enter into the nature of the art.


I want paint to work as flesh.