Quotes from Vincente Minnelli


Sorted by Popularity


But I think musicals are going to have to deal with important subjects.


We shot that in all the real places where Van Gogh worked.


That's what I think musicals will come to. No backstage stories, nothing of that sort.


Nowadays the audience has changed. No one can anticipate the audience.


No, I only like whether I like the story or not, essentially see something in it that isn't completely there.


It's always the story that interests me.


In the Thirties, when I was in New York, I did the first surrealistic ballet in a show of mine.


If anybody reads a story in a magazine or book, different pictures compete in their minds.


I started out to be a painter and was born into the theater.


I seem to be drawn to things that actually happen.


I see wonderful films by Bertolucci, Visconti, and Fellini.


I made three films with Douglas, two with Charles Boyer.


I had given up the theater and everything propelled me into entertainment. And I didn't resist it.


I allow an area for improvisation because the chemical things actors bring to stories make it not work.


Cedric Gibbons was the grand cardinal of the art department.


Color can do anything that black-and-white can.


American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.


West Side Story was terribly important because of the style of the dancing and the gangs of New York.


I've worked with an awful lot of people. Katy Hepburn, Spencer Tracy.


I learn new things all the time.