I'm a huge music fan. I usually say that if I had been born with a musical inclination, it would've been great. The Beatles changed everything for me, and I wanted to be a journalist for 'Rolling Stone.' I'm a big music fan in a Cameron Crowe way, kind of in a spectator way.
I was very lucky with the parents I was blessed with. I don't think it could have worked out any better. They've always been so understanding of me and understanding of what I want to do.
He's my favorite! He wrote and produced, and starred in and cast all of his movies! Can you imagine? I get really excited when I talk about Charlie Chaplin.
It's definitely a shock to go from being 15 in high school to working. There's no real cushion there. There's no preparation at all. You learn by doing.
In general, I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to.
At first, when you go to premieres and award shows, you're thinking, 'How the hell am I here? All these people I've never met are here, and it's so cool!' And then, as time goes on, it's a little bit like, 'Ah... it's more like work.'
A lot of times, I feel like people come up to me because they think I'm like my character in 'Easy A', or because they've seen me in interviews, but really what they're a fan of is a movie or a character.
The last thing in the world my parents would want to do is get on a stage or do a movie. They would probably rather die. But they let me be who I was, and they supported me.
I had a trainer during 'Spiderman,' and I discovered I have deep-seated rage when I'm holding heavy weights over my head. Whatever dormant anger I have in me, that's where it comes out. That's not the kind of working out I want to do.
My stylist has really great taste - Petra Flannery has really great taste. I mean, I am opinionated, and as time goes on, as I've gotten to see more dresses or more clothes, it's easier to say, 'I like that' or 'I don't like that,' but it's nothing I would ever, you know, design.
I love improv. 'Crazy, Stupid, Love,' the script was really great, but the directors were open to letting you try different things. And that felt like a muscle I hadn't exercised in a really long time.
There's so much I'm interested in that I didn't discover in high school. For 'The Amazing Spider-Man', because Gwen is a scientist, we went to a lab in San Diego, and we were learning about biology. And I'm fascinated! Because I never went to biology class in high school.
The roles that have come into my life have taught me - and in that time period maybe I didn't even know it, but whatever came up or whatever it is that you have to express at that time, has benefitted me in a particular way.
The end of 'City Lights' makes me cry every time I see it - when Charlie Chaplin walks by the shop window and the once-blind girl brings him a flower and pins it to his lapel.
I've read a lot of different versions of myself - and all of them are true because it's all opinion, and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.
I'm not one of those shoppers where I go to a store and I'm like, trying it on, I'm not sure, 'Oh, can you put this on hold?' No. It's either love it or hate it. And it's the same way with scripts. I usually know within the first 10 pages. If I don't latch into it by then, then it's not going to happen.
