Quotes from Sara Sheridan


Sorted by Popularity


I once did an event with Ian Rankin where he said he didn't really need to do much background research because his books are set in the present, and I just thought: 'You lucky, lucky beast!' because as a historical novelist, I live constantly on the edge of wondering whether tissues had been invented.


I wrote 'I'm Me' because I was asked to write a children's book.


I wanted to find something I could do at home. I sat down with a friend and made a list of all the things I could try, and one of them was writing a novel.


I said: 'I'm throwing in my job, and I'm going to write a book.' Everyone thought: 'She's off her trolley,' and it was quite crazy, really. I'm just lucky that it came off.


It's interesting that, given our culture has so many words that refer to women in a truly derogatory fashion, it's 'lady' - a term that has conferred social respect on our gender for over a thousand years - that has women up in arms.


One of the great things about the Fifties is there are so many secrets - people who've come back from the war and done these terrible things that they don't want to think about, or can't say what they did because they signed the Official Secrets Act.


People were consuming on average less calories after the war than during the war. Things were still very tough. If you look at the film footage of London streets, even in areas which weren't slums, there are kids in the streets who are dirty and have no shoes on. It was rough. There was a real edge.


The digital revolution has wrest a little control away from corporate publishers and white, male, middle-aged critics, but the financial value put on the job of the writer and the misconceptions around that make it extremely difficult to enter the profession.


Writers are a product of where we come from, but by looking at alternatives to the culture in which we live, we can find ways to change and hopefully improve it.


My family spans many world religions, ethnicities and nationalities. The truth is that I don't have one identity. I'm Scottish, British, European, Humanist, Atheist and in part at least, culturally Jewish.


I realized early on that being an author is a hugely misunderstood job. Because there are no pay grades and very little structure, people make interesting assumptions about the profession.


How lucky am I? Quite often I speak at book festivals, and people ask me how I got published. There's people who have been working on a book for as long as ten years, and I feel like such a cow.


Writers have it easy. If you write a bestseller or have your book made into a movie, you'll never have to work again, or so the myth goes.


We don't live in a society that has genuine equality, and every woman we know has experienced that.


The world loves the 1950s.


The question shouldn't be 'Are we guilty about our colonial past;' it should be 'Why aren't we more guilty about our corporate present'?


The cosmetic industry really took off in the 1950s.


Scottish writers are particularly successful in the crime genre.


Personally I estimate about a third of my time is spent on author events, social media and traditional publicity.


If I hadn't been able to get my first book published, I am not sure what I would have done.