Notice: ob_end_flush(): Failed to delete and flush buffer. No buffer to delete or flush in /home1/ntptuqmy/public_html/quotes/includes/header_html.php on line 6
Alice Oswald Quotes - IQDb - Internet Quotes Database

Quotes from Alice Oswald


Sorted by Popularity


I never meant to be a full-time poet: I started out as a gardener, an ideal job for a poet because your head is left free.


Most spiders eat and remake their webs every night.


There's a whole range of words that people use about landscape. Pastoral? Idyll? I can't stand them.


At each moment, a poem might grow into a totally different shape. It is not so much like working in a garden. It is more as if you remade the garden every day.


I much preferred Latin to Greek. I loved the language being such a pattern that you could not shift a word without the whole sentence falling to pieces.


I think it is the easiest mentality for a human being to be either colonized or to colonize. The structure of either the slave or the master seems to be the simplest and the most relaxing one to slip into. Either you are a slave, and you don't have to think for yourself, or you're a master, and you don't have to work for yourself.


One of the rules of Greek lament poetry is that it mustn't mention the dead by name in case of invoking a ghost. Maybe the 'Iliad,' crowded with names, is more than a poem. Maybe it's a dangerous piece of the brightness of both this world and the next.


That is the best instruction you could ever give a poet: whether you're examining a bad line in a poem or a bad motive for action, keep well your repining - meaning, don't ignore the honest muttering in your head.


Wind ought to be a verb or an adverb. It isn't really anything. It's a manner of movement of warmth and cold: a kind of information system of the air.


I like Patti Smith's lyrics, and sometimes think I could be influenced by them. But she has a kind of cool that's beyond me.


I try not to invent; I try simply to translate the weird language of the natural world. And I'm not into absolute ownership of things.


It's a question of trying to take down by dictation what's already there. I'm not making something, I'm trying to hear it.


When I was 16, I was taught by a wonderful teacher who let me ignore the Greek syllabus and just read Homer.


At eight, I made a commitment to poetry. Until then, I thought I'd be a policeman. But I went a whole night without sleeping, and the next day the world had changed. It needed a different language.


I hate not managing to speak clearly. I really hate it. I get a feeling of claustrophobia - like I'm locked in my own head - if what I've said hasn't reached someone.


I think it's often assumed that the role of poetry is to comfort, but for me, poetry is the great unsettler. It questions the established order of the mind. It is radical, by which I don't mean that it is either leftwing or rightwing, but that it works at the roots of thinking.


It's the stickiness of earth that makes it problematic - the way it stains your straps and ingrains your hands so you can't quite tell where you start and stop.


People are so used to reading novels now, they just read a poem straight through to get the meaning. And that's something totally different from the slow way you read something if it's a tune; which to me a poem has to be.


To be a poet is as serious, long-term and natural as the effort to be the best human you can be. To express something well is not a question of having a top-class education and understanding poetic forms: rather, it's a question of paying attention.


There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.