I'm Chief Executive Officer at Art of the Olympians Museum in Fort Myers, Florida, which was founded by my Mexico City teammate Al Oerter and his wife Cathy in 2005. It shows that Olympians can have another life; we have got art from more than 100 Olympians.
I think track is still one of the most exciting participant sports, but we haven't been able to capitalize on that excitement through television and the print media.
My participation in the Art of the Olympians is a natural extension of my athletic career. I find creating a piece of art in many respects mirrors my long jumping efforts illustrating that hard work and inspiration will always be the foundation for success.
I always look back at when I didn't have a dream, when I didn't have a spirit. I didn't know what the Olympics was all about. I was just hanging out on the street. I was not humble. I was not a nice person, doing things that were socially unacceptable.
I've found that there's a lot to invigorate in any country or destination - it's all about how you look at it. I've never really had any difficulties anywhere I've been. As an athlete, I used to enjoy being on the road and meeting people.
Sometimes when you've reached a peak experience, you look for other peak experiences... I'd always been interested in art. I was looking for other experiences outside of sports. Art was a form of expression I had always liked a great deal.
I like to listen to my iPod and also play music. I've been doing percussion since I was eight or nine. Rhythm is crucial in long jump but also in life.
