Quotes from Katori Hall


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I'll never be August Wilson - but what I can be is more of myself.


Through school, I saw plenty of theatre my parents weren't necessarily up on. They would prefer a football game to watching 'The Nutcracker,' and that's fine. I enjoy both.


Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.


As a black woman who grows up in a predominantly white neighborhood, you learn how to perform a 'good' version of yourself. And then when you're with your home girls, you're saying all kinds of stuff that sounds all kinds of crazy, but you understand each other because you're speaking the way that you're comfortable with.


Like most playwrights, I hate talkbacks with a passion that can burn a hole through hell.


It is expensive to give plays subtitles, especially for a short run, so most new dramas rarely cross the transcontinental bridge.


I think being an actor makes me a better writer and vice versa. I know the kinds of roles I would kill to play, and I try to create them for others.


I started writing because I got so frustrated that there weren't enough plays that had roles for young black women in them.


I never, ever read the comments below an article on the Web. People are mean. I'm a human being.


I have so many different voices and stories to tell.


I feel a responsibility to continue creating complex roles for black women, especially young black women.


I always crave to see more stories about and by people of color, particularly new work by young black writers.


Sometimes, unfortunately, hatred is more powerful than progress.


'Hurt Village' is based on a real housing project in Memphis, about three minutes away from the Lorraine Hotel where Dr. King was assassinated, so in my work I'm focusing on a very specific area in Memphis. I see 'Hurt Village' as a natural extension of 'The Mountaintop.'


Unlike films, which can be easily disseminated worldwide via DVDs and the Internet, plays struggle to find an international audience.


Playwrights are the most gregarious writers - to get our work done, we need actors, directors, set designers.


I'm very Southern in the way I walk in the world. I love to laugh. I love to eat. I love to hug people. But if somebody makes me mad, my neck may roll. I can be aggressive with a Southern twang.


I used to think people above me might get jealous because I wanted to do what they did. But no, people are much nicer than that.


Cultivating relationships with people who've achieved what you want to achieve makes the path fuller and more fun.


Become your dream, and not be told what you are supposed to do.