Through school, I saw plenty of theatre my parents weren't necessarily up on. They would prefer a football game to watching 'The Nutcracker,' and that's fine. I enjoy both.
Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.
As a black woman who grows up in a predominantly white neighborhood, you learn how to perform a 'good' version of yourself. And then when you're with your home girls, you're saying all kinds of stuff that sounds all kinds of crazy, but you understand each other because you're speaking the way that you're comfortable with.
'Hurt Village' is based on a real housing project in Memphis, about three minutes away from the Lorraine Hotel where Dr. King was assassinated, so in my work I'm focusing on a very specific area in Memphis. I see 'Hurt Village' as a natural extension of 'The Mountaintop.'
I'm very Southern in the way I walk in the world. I love to laugh. I love to eat. I love to hug people. But if somebody makes me mad, my neck may roll. I can be aggressive with a Southern twang.