Each sudden gust of light explains itself as flames, but neither they, nor even bombs redoubled on the hills tonight can quite include me in their fear.
I wish I'd been better able to resist the sense of obligation to write some of the poems I did. It's in the nature of commissioned work to be written too much from the side of your mind that knows what it's doing, which dries up the poetry.
Keats writes better about poems than anybody I've ever read. The things that he says about what he wants his own poems to be are the ideals that I share.
Poetry is at the centre of my life, too, emotionally speaking, and intellectually speaking - it's just that I'm one of those people who enjoy doing other stuff as well.
When Keats says: 'Axioms in philosophy are not axioms until they are proved upon our pulses', what he means is that we don't necessarily believe what a poem is saying if it comes out and tells us in an absolutely head-on, in-your-face way; we only believe it to be true if we feel it to be true.
When you're being looked at very hard, it's very hard to look back. And that made me stop paying attention to the world in a way that allowed me then to write about it.
I don't want my poems to be sentimental, though I do acknowledge that sentiment is probably rather under-reported in a lot of people's feelings a lot of the time.
While also, importantly, not wanting to dumb it down or pretend the days of 'difficult' poetry are over, because we live in a pluralist culture and there's room for 'difficult' poetry alongside rap and everything else. And poetry won't be for everyone, but everyone should have the choice.
Well, it's a badge of honour for any self-respecting poet to be criticized by Auberon Waugh. But in a lot of ways my poems are very conventional, and it's no big deal for me to write a poem in either free verse or strict form; modern poets can, and do, do both.
Those who say we should dismantle the role of Poet Laureate altogether, the trick they miss is that being called this thing, with the weight of tradition behind it, and with the association of the Royal family, does allow you to have conversations and to open doors, and wallets, for the good of poetry in a way that nothing else would allow.
Thanks partly to the kind of poets that we now have and partly to funding, there's been a gigantic shift in the way poetry is perceived... Poems on the Underground, poets in schools, football clubs, zoos.