Quotes from Lev Grossman


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People - me included - want to get excited about books. Good books are a good thing.


When I left college I thought - based on a staggeringly inadequate understanding of how the world worked - that I might like to go into book publishing.


My specialty as a collector is books that almost have value. When I love a book, I don't buy the first edition, because those have become incredibly expensive. But I might buy a beat-up copy of the second edition, third printing, which looks almost exactly the same as the first edition except that a couple of typos have been fixed.


More than fantasy or even science fiction, Ray Bradbury wrote horror, and like so many great horror writers he was himself utterly without fear, of anything. He wasn't afraid of looking uncool - he wasn't scared to openly love innocence, or to be optimistic, or to write sentimentally when he felt that way.


It's not really possible to open 'The Casual Vacancy' without a lot of expectations both high and low crashing around in your brain and distorting your vision. There's no point pretending they're not there.


The year after I graduated college I had a job in a library. When people underlined passages in the library books, or made notes in the margins, the books were sent to me. I erased the lines and the notes. Yes, that was my job.


What surprised me about 'The Casual Vacancy' was not just how good it was, but the particular way in which it was good.


There's a special gut-check moment the first time you write a scene in which somebody casts a spell.


The real world is horrible.


The novel is a highly corrupt medium, after all - in the end the vast majority of them simply aren't that great, and are destined to be forgotten.


A lot of young-adult authors, great ones, have tried their hands at literary fiction, and not a lot of them have succeeded. Not even Roald Dahl could switch-hit, and not for lack of trying.


My book group has one rule: no books for adults. We read young adult fiction only.


It's natural for a child to assume that his or her own childhood is unremarkable.


It's a terrible thing for a book, when you feel like you're supposed to like it.


I've stayed in houses that were in the country, and in England, but I'm still not sure that I've stayed in an English country house.


I recognize that on paper, you can't really tell that I'm a fan or a nerd.


I never thought about doing a sequel when I was actually writing 'The Magicians.' I only ever considered it a standalone.


I mean, when you're tired of book reviews, you're tired of life.


I guess I was raised in a household with a lot of reverence for the physical sanctity of books. You didn't destroy books.


I came from an anxious, overly intense East Coast academic family. That was the way of our tribe.