Quotes from Franz Liszt


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Supreme serenity still remains the Ideal of great Art. The shapes and transitory forms of life are but stages toward this Ideal, which Christ's religion illuminates with His divine light.


Without any assistance whatever, I founded a school in Weimar in 10 years. Only I could perform certain works with the scanty means that I dared not ask anyone else to work with.


We need improvement in the style of performance. There is no more advantage in a musician who plays and conducts than in one who is only a beater of rhythm.


I did not compose my work as one might put on a church vestment... rather it sprung from the truly fervent faith of my heart, such as I have felt it since my childhood.


As the mother teaches her children how to express themselves in their language, so one Gypsy musician teaches the other. They have never shown any need for notation.


The music of the Gypsies belongs in the sphere of improvisation rather than in any other, without which it would have no power to exist.


It is my fervent wish and my greatest ambition to leave a work with a few useful instructions for the pianists after me.


I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.


A theatre receives recognition through its initiative, which is indispensable for first-rate performances.


The public is always good.


In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.


Real men are sadly lacking in this world, for when they are put to the test they prove worthless.


The principal task of a conductor is not to put himself in evidence but to disappear behind his functions as much as possible. We are pilots, not servants.


I foster a sorrowful conception of affection. Make no sacrifices.


Beware of missing chances; otherwise it may be altogether too late some day.


Broad paths are open to every endeavour, and a sympathetic recognition is assured to every one who consecrates his art to the divine services of a conviction of a consciousness.


Inspiration is enough to give expression to the tone in singing, especially when the song is without words.


Brahms' Variations are better than mine, but mine were written before his.


Companions, in misery and worse, that is what we all are, and to try to change this substantially avails us nothing.


I find little in the works of Beethoven, Berlioz, Wagner and others when they are led by a conductor who functions like a windmill.