I have a cartoon I'm developing with Adult Swim called 'Monster Town U.S.A.,' so I'm busy doing that. Trying to do a coffee-table book of my photography that's been requested of me a couple of times. I'm constantly busy.
I had fears going into television that it might become boring to me, and I always like to be challenged, push myself. You do a film, and you know where you're going; you have this material to stretch and play with as much as possible because you know how it ends.
I went camping one time when I was twelve, to the Great Lakes. My friend stepped in really deep muddy water and started screaming and sinking. My mom ran up, and I was just standing there a foot away and wouldn't stick out my hand to pull him up. So I'm probably not the best person to take on a camping trip.
When you do television, you have this opportunity to drop these subtle hints everywhere. The way you say things, for example, sometimes those seeds turn into trees.
I've shot films in locations that have seemed haunted. I shot a film in a maximum-security prison in Russia. Part of it was on a psychiatric ward - there were definitely some creepy vibes there.
I did a film called 'Floating' early on that had a scene which was similar to a real-life situation I was in at the time. It involved me having a conversation with my father, who was dying. It was close to home and it made me realise acting wasn't just making faces for the cameras, it was a real art form.
