If you're not prepared, and you're not passionate, and you don't push yourself to a level of human exhaustion on every level, mentally and physically and creatively... I've seen directors who approach it casually, and they do somehow maintain better hours... but I could never be that guy. I am up and editing all night.
When you're young, you're always wondering when you're actually going to feel like a grownup. And I think you probably fear it, in a sense, too. There's a danger to feeling like an adult... like this whimsical kid in you is going to die or something. And then all of a sudden, one day you kind of feel like an adult and it's really nice.
I think happiness is a choice. If you feel yourself being happy and can settle in to the life choices you make, then it's great. It's really, really great. I swear to God, happiness is the best makeup.
I'm a carb queen. I'll always order macaroni and cheese, but I don't want it to be fancy. I want it to be as close to Kraft Services as it can possibly get!
I still, at hotel rooms, I do this one sort of not-so-cool thing: continually shoving my room service tray in front of someone else's door. Because I don't want the remnants. I don't want to be caught, like, being like the pig that I was at two in the morning.
The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.
I've always said that one night, I'm going to find myself in some field somewhere, I'm standing on grass, and it's raining, and I'm with the person I love, and I know I'm at the very point I've been dreaming of getting to.
I loved the world of roller derby because I thought it was such an empowering metaphor, that you get out there and do it. It's such a rocker, athletic, capable, cool exhibitionist sport; it's about this great sort of camaraderie.
