In 2007, I had on-paper success. I got to go to that Aspen comedy festival, which was pretty exclusive, I guess. Then I did Carson Daly. That was enough validation.
I'm hardly a known name, but I don't want to go, like, 'Oh, people call me a storyteller comedian, let me just go up and just talk about my day.' I don't want that to happen.
I think I told my parents I wanted to be a writer, just so they'd kind of think I had some direction in life. It made it easier to pick out classes at college, like, 'Oh, this is writing classes, that's what I'm doing.'
I don't want to make it a hard, fast rule, but it's surprising how many 'fun for the whole family' acts are real scumbags. The people that confess they're scumbags on stage are generally really great people. They're more honest with the audience with who they are.
I think the problems with comedians that are political, and there are some brilliant ones, are the ones that offer no solutions. Not that there's a moral obligation for a comic to fix things, but I like to see a comic that's upset about something and offer a solution. It can be a funny solution. I like to see the thought process.
I like to challenge myself not to be negative, because it's easy to take comedy to a negative place and criticize the outside world. Trying to praise something through comedy or be appreciative and making jokes about it is more challenging than cutting things down.
