You know, Motorcycle Diaries has no incredible stories, no sudden plot twists, it doesn't play that way. It's about recognizing that instance of change and embracing it.
When I'm making documentaries, I think a lot about how fiction films play. I want them to have the pacing, the twists and the character development of fiction films.
When one person does something that works, everyone else wants to do it. So it didn't surprise me at all to see people come with different versions of 'American Idol' and a lot of them are exactly the same but with different twists.
I think 'Mistresses' is so successful because it's a mixture of intriguing storylines with lots of twists and it is rooted very strongly in reality and it's really glossy.