Quotes from Scott Aukerman


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Doing the podcast, the whole reason to do it is just because I can do whatever I want.


I remember when I first started, the first movie I wrote that didn't get made I was aghast. 'Wait a minute, that's not how this is supposed to work. You write a move and it gets made!'


When I was growing up, I wanted to do Letterman and I loved that live, in-studio model. I still would do something like that.


What I love about comedy is breaking down the barrier between the audience and the performer.


There's definitely something about the structure of 'Caddyshack' that is unique that no one has ever been able to achieve since then.


That's one of the benefits of working with a smaller network like IFC. You're awarded more trust, but trust that I really earned.


Most of the stuff I've written has never even gotten made. It's par for the course. It's a great living, but it also gets very frustrating.


If you look at Earwolf, we've tried to have a really diverse stable of hosts. Even my show can get a little 'dudey' sometimes.


I look back on our productivity in the 'Mr. Show' days, and think, 'We probably could have worked harder.'


I guess when I was a kid I wasn't the type of person playing a lot of pranks. I was the type of person upon whom pranks were pulled.


I came to one of the first Comic Cons in 1985, when it was just people trading back issues of comic books.


I was always a big fan of Mel Brooks and Carl Reiner's '2000-Year-Old Man' sketch. I think it's one of the biggest influences on the podcast, definitely. You'd never say Carl Reiner was the funniest dude on there, because he's just teeing it up, but he knows what questions to ask to lead to great improv.


Comedy is really best when watched with other people, and I don't really understand people who sit at home watching comedy movies on Netflix.


The best sketch shows are from a group of tight-knit people who've worked together for a really long time.


I'm not the type of guy who's funny in the room. I'm the guy who's funny late at night on a computer, trying to construct jokes.


I'm probably doing puns more than anything in my life.


The power of podcasting is pretty remarkable. It is such an amazing way to mobilize fans. It's almost like they're part of your family. They probably listen to you more than they listen to their own families. I know that's true for me. So there is a real bond there.


Podcasts feature comedians being as funny as they can be in a non-censored situation. It's really akin to standup in a way. When you go see a comedian in standup, that is the most pure, unadulterated form of their art.


I grew up loving David Letterman and Pee-wee Herman, but as far as live performance comedy, all I knew were the Jerry Seinfeld-type comedians of the world, and that's what I thought live performance comedy was all about.


I get inspired when I look at Tom Lennon, who did 'Reno 911!' for six seasons while writing huge movies and directing and also doing other pilots; he did that FX pilot, the 'Star Trek' thing.